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ZONES We will divide the individual letters into three zones to better understand how the writer makes specific use of their mind UZtheir emotions MZ and the physical elements in their environment LZ.
In the English alphabet, which is also used for most European languages, including French, German and Italian, a part of every letter is found in the middle zone.
The upper zone has six bizonal letters: The lower zone has six bizonal letters: The middle zone has thirteen single zone letters, the five vowels, a. The letter "f" is the only trizonal letter in the alphabet. Wherever you find extra emphasis of size, embellishment, width, simplicity, force or meagerness, this is the zone the writer is expressing most strongly at that moment of writing.
This is why we need more than one sample of writing for a full, in-depth analysis; it eliminates a "mood-of-the-moment" interpretation. Examples and what to look for are in the Handwriting Insights deck. Connections In American schools, writing is usually first learned by using the manuscript printed form.
As the writer matures he learns the more sophisticated method of joining letter forms called cursive writing. The four most common connective forms are garlands, arcades, angles and thread. You will learn to recognize each type of form and how to interpret its use within the writing.
None of us uses one connective exclusively. One form usually dominates and an another is secondary. The other two forms of connectives may also be present to a lesser degree. Combinations of writing form reveal the personality in each writing, but only in part.
You still must take into consideration the arrangement of the writing and the symbolism of margins, zones, spacing and slant. The most common form of connective between letters is the cup shape of the garland, curved at the bottom and open at the top.
It can be found in all three zones, between letters, within letters, even at the beginnings and endings of words.
The garland is a soft, easily stroked connective depicting the writer who is receptive, compliant and easy going.
He may be warm and sympathetic, empathetic and sentimental.
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He is open and responsive to the people and the environment around him. The writer who uses many garlands is often said to be "people oriented". He feels before he thinks.
The arcade, or inverted garland, is shaped like an arch, curved on top and open at the bottom. M's, n,s and h's are the most obvious arcade formations in the alphabet. You may also find arcades between letters especially in the connection between o, v and w and the letter which follows them.
Usually mixed with other connectives, the arcade is used by the creative personality. This writer is a constructive thinker, one who deliberates before making up his mind. He may use this slow and deliberate action as a form of cautious contrcl and self protection.
There is a certain dignity and formality in the writer who uses arcades to a dominant degree. The speed and energy used by many writers often produces abrupt changes of direction which create an angle at the baseline and sometimes at the top of the letter.
This sudden change of direction must also make a pause before the writing can proceed. An angle interrupts smooth flow of thought and action, and an abrupt manner is often the result.
The writer who habitually uses angles is often analytical, tense and self disciplined. He usually can see more than one approach to a problem and therefore often has some degree of executive ability.
He uses will power to direct and control his actions. Thread is the least used of the connectives, and sometimes is the hardest to recognize. There are three general types of thread. You may need to use your magnifying glass to be sure you are looking at thread.
It looks like a piece of thread that has been broken rather than cut cleanly. It "feathers" out with lessening pressure of the pen.This fabulous kit features a variety of embossing tools and elements to teach you how to emboss in a hands-on way.
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